Sometimes,
on very rare occasions, a book or film comes out that is so important, it
becomes a personal signpost in your life. Time divides into "before"
and "after", and life is never the same again, because your eyes have
been opened, and there is no alternative but to respond, to change, to act.
I
can think of two straightaway, in my own past - Vera Brittain's Testament of Youth, which opened my eyes to the futility of war,
and the necessity of working for peace; and the film Cry Freedom, about the life of anti-apartheid activist Steve Biko,
who died in police custody. Others
include Quentin Crisp's The Naked Civil
Servant, so memorably brought to life in a factional film by John Hurt; Pride, about a group of young homosexuals who came to
the aid of a village of Welsh miners; and the graphically violent Twelve Years A Slave, which portrayed
the horrors of slavery in the US .
Although for me, it was the book Noughts
and Crosses, by British author Malorie Blackman, which really woke my
conscience to the issue of white privilege.
All
these books and films have one thing in common: they show the viewer / reader
very clearly what it is like to be on the losing side of the System. Tonight I
can add another to that list. I went to see the award-winning Ken Loach film I, Daniel Blake with a friend, and it
affected us both profoundly.
To
sum it up in a phrase, it is a tale of the dispossessed, based on a true story
about two real people, who fell through the cracks in the pavement of
"normal" society, and about the unthinking, unfeeling prejudice they
encounter. It is about the inflexibility of the welfare system at its
bureaucratic worst, in which jobs-worth employees of the Department of Work and
Pensions and its associated companies blindly stick to the rules in their
dealing with their "clients", denying their common humanity. Valid
reasons for not complying with the many and varied regulations are dismissed as
excuses, and no leeway is given, no mercy involved.
[PLOT
SPOILERS] In the case of the title character, Daniel Blake, a seriously ill
widower and trained carpenter of long experience, is recovering from a major heart attack, but officials refuse to listen to his
clear explanations that his doctor and consultant have both told him that he is
unfit to work, and insist that he applies for Job Seekers' Allowance. Which
involves completing online forms, producing a digital CV, and other pleasant
impossibilities, which Blake, who is computer-illiterate, like many of the
older dispossessed, is simply unable to do, although he tries and tries.
And
because they deem that he is "fit for work", he has to prove that he
is actively searching for it. He hawks his CV round the streets and working
sites of Newcastle, walking miles a day to do so, but is unable to provide
digital "proof" of having done so, and so is sanctioned (denied any
benefits at all) for four weeks. He is warned that the next time this happens,
it will be 13 weeks.
One
particular DWP employee is portrayed as sympathetic, and tries to help him (for
which she is severely admonished by her superior), but the rest just stick to
the letter of the law, and refuse to listen to him. He is told by one pompous
official "We are digital by default", to which he retorts
brilliantly, "Well, I'm pencil by default!".
Eventually,
after having to sell virtually all his possessions to stay alive, he finally
gets to an appeal to be allowed to claim Sickness Benefit, but
succumbs to a second, and this time fatal, heart attack just before it.
The
other main character, Katie, is a young single mother from London ,
who has spent the previous two years living in a one-room hostel with her two
young children, before being offered a flat, hundreds of miles away from friends and family, in Newcastle . Her story is
similarly heart-breaking.
One
of the most gut-wrenching scenes in the film comes at a visit to a food bank.
Katie, who has been denying herself food to stop her children from going
hungry, is given a tin of baked beans with one of those snap tops. She loses
control, goes into a corner, tears open the tin, and begins to scoop the cold
baked beans into her mouth, avidly, desperately, Dan and the food bank
volunteer are both moved and horrified, as she apologises: " I'm sorry,
I'm sorry, I was just so hungry." Both my friend and I were in tears at
this point (and many others) as were the people around us.
Katie
is eventually forced to turn to prostitution in order to pay for food and
clothing for her children. She hates what she is doing, but feels she has no
choice.
We
came out at the end of the film feeling helpless and angry. What sort of crappy
society is it that we live in, where people are treated without kindness,
without compassion, where obeying the system matters above all, and where
breaking any of the System's rules has dire consequences?
The
only rays of hope that we could find were in the ordinary human-kindness of
neighbours and friends, and of Dan and Katie towards each other. The mercy
shown by the store manager when Katie was caught shop-lifting; the concern of
Dan's young neighbour; the various folk in the library who tried to help him on
the computer. These stand out as beacons of hope in a cruel world.
I, Daniel Blake has left me feeling angry and helpless, but
filled with a desire to *do* something to stop this crap from happening to
people in my country, right now.